Article and Interview by Elise Cooper
Mrs. Endicott’s Splendid Adventure by Rhys Bowen is a gripping novel. No matter what book Bowen writes, readers feel they are taking the journey with the characters and are transported into the setting. The descriptions of the town and its residents are very detailed.
Readers meet Ellie Endicott in Surrey, England, during 1938. After raising two grown sons and having devoted her entire married life to catering to her husband’s needs, her husband wants a divorce. He has met a younger woman and tries to bulldoze Ellie into a favorable financial settlement. She will have no part of it and decides to hire her own lawyer who helps her obtain a fair settlement.
Deciding to take a trip to the South of France, she steals her husband’s Bentley and agrees to take two companions along. Mavis Moss, her loyal housekeeper who has an abusive husband, and Miss Smith-Humphries, a pillar of the community dying from heart disease but wants to revisit happy places of her youth. While stopping for gas they rescue a pregnant young girl, Yvette, who claims she is being kidnapped.
The Bentley breaks down in the inviting fishing hamlet of Saint Benet. They’re aided by handyman, Louis; Nico, a mysterious fisherman; and welcomed by other villagers including a resident gay English couple. While exploring the small town of Saint Benet they find an abandoned villa in the hills and decide to fix it up and rent it from the owner. The simple paradise of Saint Benet is perfect until fate plays a role and WWII looms over their heads.
The three women blossom and enjoy the beautiful setting of their second chance lives, having a splendid adventure, until the German troops move into the village in 1942-43. The women and the villagers face hardships, betrayals, danger, uncertainties, and retaliations. When the war comes to an end readers realize these women were resilient, inquisitive, caring with strong minds, hearts, and souls.
This book captivates readers from chapter one and never lets up. It shows the strong bond between friends as well as how a middle-aged woman can find true love with Nico, a villager.
Elise Cooper: Idea for the story?
Rhys Bowen: There were driving forces behind this story. We were on this lake, and I saw a villa that must have been abandoned for years. It was beautiful once but now the shutters were hanging off and the grounds were full of leaves. I thought who could walk away from something as gorgeous as this and why were there no heirs? I wanted to bring it back to its formal glory. It stayed with me, so I had a character do that, vicariously. I loved giving these women this close bond and second chances in life.
EC: Is this a woman’s adventure story?
RB: It is a story about invisible women. Middle-aged women can be conceived as no longer physically attractive. I noticed this many times in my own life after I became a certain age. Miss Marple is invisible with her knitting as nobody notices her. She sees and hears everything. I wanted to write how women were not treated well by life or had lived someone else’s life. I also wanted to write the strength of women bonding and how they could blossom into the people they should be. These three women were not treated well and has a sense of belonging.
EC: How would you describe Ellie?
RB: She never lived her own life and is now a middle-aged woman. There is this book quote how she feels all alone, “It was fine when I had my friends with me, but now I find myself alone. I had everything I desired, people I loved and who loved me. And one by one they have been taken away. I have this lovely big house and beautiful view but nobody to share it with.” I wanted to give her everything she wanted: friends, a beautiful house, a love interest, and a baby. Then all those were taken away. I wanted to explore how strong she was when once again everything was taken away from her. I think she is a survivor, optimistic, is willing to take risks, and resilient by the end of the book. But in the beginning, she was broken, angry, resentful, the perfect housewife, and feels hopeless at times. Throughout she is sensible, passionate, vulnerable, and reasonable.
EC: How would you describe Miss Theodora Smith-Humphries?
RB: She is critical, sickly, formidable, smug, blunt, organized, faithful, and a good listener. We never really know her. She gave the world the face she wanted them to see, that of an efficient smart spinster who runs everything, and who people are slightly scared of. But no one knows she had a great romance. She was not sweet, attractive, and submissive so she never had that good marriage. She had a romance that could never be, after both her married employer and she fell in love. She accepted the role of the mistress.
EC: How would you describe Ellie’s former maid, Mavis?
RB: She is scared, street smart, loyal, and has a great relationship with Ellie. She is closest to a friend and confidant Ellie has ever had. In England people don’t say something if they see something because of the stiff upper lip attitude. Yet, Ellie realizes Mavis was abused and she must save her. When Mavis gets to France she blossoms. She becomes a strong person in the community. Yet, she lives the first half of this book in fear of her husband, always having walked on eggshells.
EC: How would you describe Yvette?
RB: Young, pregnant, sacred, and a shadow figure. She plays the part well of a vulnerable person. Mavis realizes she is not who she says she is. Mavis has good instincts.
EC: What is the role of WWII in this book?
RB: I wanted to show the brutality of the Germans, and how Ellie and company tried to save Jewish men. Ellie took a big risk by staying in France, but she is so happy there she decides to stay. Then she becomes an enemy alien, unable to get a ration card or identity card. The first years of the war are not bad for the South of France. Everything is fine for her until the Germans become stationed in her village in 1943. There was a resistance cell in Marseille that smuggled out Jewish people.
EC: How come the Germans ignored the villa?
RB: They did not know it existed until quite late in the story. It was not visible from the village, up in the hillside hidden away. As long as Ellie and company stayed quiet, she was safe until the Germans found out they were smuggling Jewish men out.
EC: What about the relationship between Nico and Ellie?
RB: It was confusing to both, but they did love and respect each other. In the end they found a soul mate in each other. I wanted Nico to be an enigmatic figure. People thought of him as a local fisherman, yet he never fished that much. Ellie thinks he is a smuggler and although attracted to him does not want much to do with him because she thinks he does things against the law because he has plenty of money. The moment the war starts he helps the resistance cells by bringing in weapons and gasoline. I wanted him to be the classic bad boy in the beginning, attractive to Ellie, but dangerous.
EC: What about the village of Saint-Benet, is it based on Cassis?
RB: It is a little town outside of Marseille, an area where there are fields surrounded by high cliffs. It has a pretty waterfront with cafes surrounding it. I went there last year to make sure I had all the details correct. I did not want to call the village Cassis because I wrote things that did not happen there. It was much easier to make it the fictional town of Saint-Benet, very much like Cassis.
EC: Next books?
RB: The next book comes out in November titled, From Cradle to Grave, a Royal Spyness novel. Georgie is given the nanny from hell is one part of the story. The other part has a possible serial killer getting rid of aristocrats.
The next Molly Murphy book comes out in March, titled Vanished in the Crowd. It focuses on the role of women. A woman scientist is working on the polio virus but gets no credit and has the findings published in her husband’s name.
The next historical novel has a working title, From Sea to Sky, coming out next July. It is about an elderly famous writer who is suffering from dementia and cannot finish her last book. A young writer is hired to finish it for her. The young writer sees things that makes her believe the story is not fiction.
EC: THANK YOU!!
